“It’s a kind of reincarnation without death: all these different lives we get to live in this one body, as ourselves.”
“When I try to imagine the addresses of the houses and apartments I lived in before my grandparents kidnapped me, I can’t remember anything.”
“How rich and diverse, how complex and non-linear the history of all women is.”
“All that matters is that you are making something you love, to the best of your ability, here and now.”
“Wideman is a writer who excels at dramatising African American sensibilities and this collection typically addresses issues of race, injustice and inequality with power and potency. Crystallised moments of experience carry entire worlds in stories … from the whimsical to the political. This is published alongside Wideman’s earlier novels and is a gem for anyone yet to discover his work.”
Observer
“Laidlaw brought Glasgow to life more viscerally than any book I had read before: the good and the bad, the language and the humour, the violence and the drinking … This book made me realise that pacey, streetwise thrillers didn’t have to be American: we had mean streets enough of our own.”
The Guardian asked great crime writers to pick their favourite crime novels, and Christopher Brookmyre thinks you should be reading William McIlvanney’s Laidlaw.
“An excellent new book is imminent: Fully Coherent Plan for a New and Better Society features 254 new illustrations, all drawn in his distinctive thick black pen on stark white paper, the naivety of the image offset by the scabrous, surreal or darkly comic text.”
David Shrigley interviewed in the Observer.
Observer
Robert Webb on gender conditioning (or, the way you’re told how to behave because of what’s in your pants) – from the number one bestseller How Not To Be a Boy.
and you could win a fine statuette of his Fourth Plinth commission, to remind you forever that things are Really Good.
The message had been carried through the dawn chorus and into the cold pink morning. Effie Truelove was going to die on Friday…
The Chosen Ones is the thrilling second book in the Worldquake sequence, out now!
Meg Jay talks to Robin Ince on Book Shambles about her book Supernormal, adversity and resilience.
If you haven’t yet listened to the Guardian’s new podcast The Start, about artistic beginnings, then you’re missing out. Our own Lemn Sissay was on talking about his poem ‘Invisible Kisses’, the early relationship that inspired it, and how as a child he was separated from his mother and his name. You can listen to the full episode, and the poem itself is included in Gold from the Stone.
We animated the cover for Sal by Mick Kitson! Illustration by Robert Hunter, voiceover from the audiobook, expertly read by Sharon Rooney.
“Richard Holloway is going to die. I, too, am going to die, and so, dear reader, are you. Holloway’s new book is a plangent and profound meditation on the ultimate inevitability.”
Stuart Kelly
Scotsman
“Because Holloway’s attachment to the rigid formulas of religious faith has loosened in the years since his retirement – he refers to himself as a “doubting priest” – he is the perfect inclusive guide to death. The free-flowing structure he adopts as he goes about his task is elegant, elegiac and thought-provoking; questions not answers, interspersed with material from a range of writers – WH Auden, Philip Larkin, C Day-Lewis, Edward St Aubyn and Atul Gawande.”
Observer