“It’s a kind of reincarnation without death: all these different lives we get to live in this one body, as ourselves.”
“When I try to imagine the addresses of the houses and apartments I lived in before my grandparents kidnapped me, I can’t remember anything.”
“How rich and diverse, how complex and non-linear the history of all women is.”
“All that matters is that you are making something you love, to the best of your ability, here and now.”
A rather brilliant trailer for the rather brilliant Making Evil: The science behind humanity’s dark side.
Narration by Dr. Julia Shaw. Direction/Animation: Jocie Juritz. Colouring: Anjuna Harper & Natasha Pollack. Sound/Music: Thomas Williams.
“This is a very fine novel indeed … Anybody who seeks to understand the world as it is today will find enlightenment here.”
Allan Massie
Scotsman
“I definitely don’t judge people who become passionately involved in a political struggle, even to the point of taking up weapons in the service of that struggle, in the way that I would have before beginning the book.”
John Wray interviewed in the Guardian about his novel, Godsend, and the intriguing – and maybe risky – political ground it treads.
Guardian
An extract from Tracey Thorn’s Another Planet in the Observer.
Observer
‘This is laugh-out-loud, delightful comedic writing. It captures a mood of escapism and nostalgia that I found incredibly reassuring and cheering. More Keggie, please.’
Viv Groskop
Observer
“A significant literary performance … Godsend builds to a shattering, balefully vivid ending.”
Dwight Garner
New York Times
Letters Live is a series of events where remarkable letters are read by a diverse array of outstanding performers. On 4th December 201 an incredible line up took to the newly opened Alexandra Palace Theatre stage: Chiwetel Ejiofor, Joely Richardson, Alison Steadman, Louise Brealey, Celia Imrie, Clarke Peters, Chimamanda Ngozi Adichie, Jordan Stephens, Simon Callow and Paul Ryan, with musical performances from Tom Odell. The night was in aid of Crisis at Christmas, ensuring homeless people across the country have a place to go and a meal to eat this Christmas.
We made a little pal who prints you a present. Giftbot dispenses prose, poetry, comics and art at the push of a button. If you’re near The Edinburgh Bookshop any time during December drop in and it might give you something by David Shrigley, Lemn Sissay, Jeanette Winterson, Matt Haig, Rebecca Solnit, Richard Holloway, Tom Gauld, or even a SPECIALLY WRITTEN Jess Kidd short story!
The Valley at the Centre of the World
“Tallack shows us the past and future colliding in the present, and illustrates the difficulty of maintaining a culture in a world that is shrinking. The Valley at the Centre of the World is a thoughtful, engaging and valuable addition to the literature of islands. It’s difficult to read it and not think of Britain as a whole, an island currently engaged in an ugly push and pull between those who look inwards and those with their telescopes trained beyond the horizon.”
Ben Myers
New Statesman
Here is the very start of the very special, brand new audio edition of The Truth Pixie by Matt Haig, read by none other than Olivia Colman! And for every copy sold of this exclusive edition, we’re donating 50p to Unicef UK. Get it at Audible!
(The video’s animated with illustrations from the book by Chris Mould!)
The New Yorker writes about the wonder that is Samin Nosrat, and her indespensible cookbook Salt, Fat, Acid Heat:
“Authoritative but not despotic, aspirational but still realistic, and endlessly witty, the book invites us to liberate ourselves from the bondage of recipes, and instead to practice a form of cooking that is informed and intuitive, based on her theory of balance. (There are still very good recipes in the book; try the buttermilk-roasted chicken.) Now Salt, Fat, Acid, Heat is a hit documentary series on Netflix. Each of its four episodes is dedicated to both an element—‘Fat is a miracle,’ Nosrat says, in the first episode—and a region of the world. Plenty of amateur gourmands, myself included, were already Nosrat fans, but the enthusiasm with which the Netflix show has been received has to do with Nosrat’s uncommon earnestness on camera. It is disarming, and then relieving, to watch someone pledge to her life’s work such unmitigated love.”
New Yorker
Simon Garfield was in the Observer at the weekend, writing about making a version of himself small enough to hold in his hand, and the endless fascination of all things miniature: those worlds within worlds, from toy towns to dolls houses and beyond.
Observer