“Evans’s heart (or should that be soul) is in the right place. His sensitivity as a thinker, like his skill as a storyteller, is never in doubt.”
Guardian
“Many writers dread the idea of writing but force themselves to do it. I’m not like that. Built up over 30-plus years of working at home, the habit of self-discipline means that at the first sign of sleepiness I commit absolutely to a nap. Some days I don’t really feel like sleeping but I lie down and force myself” Geoff Dyer details his writing day at the Guardian.
A painting by Jean-Michel Basquiat has become the 6th most expensive art work ever sold at auction, going for $110.5 million.
The New York Times
“Hope is not like a lottery ticket you can sit on the sofa and clutch, feeling lucky… Hope is an ax you break down doors with in an emergency”
“Is this how one becomes an artist? By growing accustomed to the madness of others?”
“She has a thoroughly contemporary style that is all her own. Her clever and funny take on domestic life and Nigerian society is a welcome addition to her country’s burgeoning literary scene. Despite the intense sadness of her subject matter, she has produced a bright, big-hearted demonstration of female spirit”
Diana Evans
The Guardian
Jules Evans talks The Art of Losing Control on Start the Week, alongside Nicholas Hytner, Lucienne Day and Eliza Carthy.
BBC
Start the Week
The Outrun is a beautiful, inspiring book about living on the edge, about the pull between island & city, & about the ability of the sea, the land, the wind and the moon to restore life & renew hope
Jennifer Garner reads Go the F*** to Sleep
J.J. Abrams’ trailer for S. by Abrams and Doug Dorst.
Matt Haig lists 5 Reasons to Stay Alive
“But I do enjoy words—some words—for their own sake! Words like river, and dawn, and daylight, and time. These words seem much richer than our experiences of the things they represent”
‘Books like this come along once in a generation … It all hangs together perfectly to form the kind of next-level literature that inspires, even incites another generation of natural-born wordsmiths to write big and bold and put in the work it takes to become a beast.’
Steve Earle
The New York Times