The Abundance
- 2 Feb 2017
- 9781782117735
- £10.99
- 304 pp
- 128×198mm
- 7 Apr 2016
- 9781782117728
- £8.79
- 304 pp
In a few words
The best writing from the Pulitzer Prize-winning nature writer, with a foreword by Geoff Dyer.
In a few words
A stunning new collection from the Pulitzer Prize-winning nature writer, with a foreword by Geoff Dyer
What stays longest with the reader is the magnesium-flare intensity of her prose and her invincible joy at being alive
For Annie Dillard there's no realm of knowledge without its accompanying gasp of wonder; she has a mystic's appreciation of the glory and plurality of the world, and a gift for communicating astonishment . . . Dillard is triumphantly awake, and these essays are magnificent and dramatic, illuminating and inspirational. Read them; they brim with abundance
Gavin Francis
GuardianWhat stays longest with the reader is the magnesium-flare intensity of her prose and her invincible joy at being alive
For Annie Dillard there's no realm of knowledge without its accompanying gasp of wonder; she has a mystic's appreciation of the glory and plurality of the world, and a gift for communicating astonishment. This collection of essays has tremendous range: amoebae to the Andromeda galaxy; specks of dust to planetary motion; redemption to the brute facts of suffering . . . Dillard is triumphantly awake, and these essays are magnificent and dramatic, illuminating and inspirational. Read them; they brim with abundance
Gavin Francis
GuardianMore about
the book
Annie Dillard has spent a lifetime examining the world around her with eyes wide open, drinking in all things intensely and relentlessly. Whether observing a sublime lunar eclipse or a moth consumed in a candle flame, the trembling of lily pads on a pond or hundreds of red-winged blackbirds taking flight, Dillard’s awe at the fragility of the natural world rejuvenates and inspires pleasure and heartache. Precise in language and deeply meditative in spirit, this is a landmark collection from one of America’s masters.
More about
the book
Annie Dillard has spent a lifetime examining the world around her with eyes wide open, drinking in all things intensely and relentlessly. Whether observing a sublime lunar eclipse or a moth consumed in a candle flame, the trembling of lily pads on a pond or hundreds of red-winged blackbirds taking flight, Dillard’s awe at the fragility of the natural world rejuvenates and inspires pleasure and heartache. Precise in language and deeply meditative in spirit, this is a landmark collection from one of America’s masters.
Luminous, startling, mischievous . . . the memory is scalpel bright, and the imagination alchemical
Richard Mabey
Annie Dillard is a brilliant American poet, novelist and essayist, a kind of philosophical nature writer in the tradition of Henry David Thoreau and John Muir . . . [The Abundance] grips you with a real and painful sense of the natural world in all its mystery and cruelty
Annie Dillard's books are like comets, like celestial events that remind us that the reality we inhabit is itself a celestial event
Marilynne Robinson
Spirited and gale-force. She raps out her opinions; lyrical, gleeful, cymbal-clashing, peppery. The best thing is her glee, a pied-piperish glee at being in the world, which she evokes better than anyone else
Robert Macfarlane
Annie Dillard's great originality lies in her fierce interrogation of creation. Why should anything - light, love, leaf - be the way it is? The inquisition is luminous, startling, mischievous. She once declared that her writing happened when imagination meets memory in the dark. Well, the memory is scalpel bright, and the imagination alchemical
Richard Mabey
Dillard's style is spirited and gale-force. She raps out her opinions; lyrical, gleeful, cymbal-clashing, peppery. The best thing is her glee, a pied-piperish glee at being in the world, which she evokes better than anyone else
Robert Macfarlane
Annie Dillard is among the greatest nature writers who have ever lived. Like Thoreau, like Gilbert White, she combines a naturalist's sharp eye with a philosopher's curiosity and a poet's magical gift for language. Keen, urgent and impassioned, her subject is life itself, in all its teeming and marvellous forms
Olivia Laing
The clarity of Annie Dillard's forensic gaze is astonishing - she is one of the most brilliant essayists of the past half-century, and this is a tremendous selection
Kevin Barry