Salena Godden

‘“I would read an excerpt in Edinburgh and the idea of Mrs Death would be met with a cheer and a ‘yay!’. And exactly the same excerpt down in Bloomsbury [would have] everyone crying, me crying, big hugs at the end … What it has got me thinking is, I wonder if there is a geography of mourning, a geography of grief.” All the reactions are welcome, though. She still thinks one of the scariest things about death is that it is so often surrounded by silence.’

Taboo-busting poet Salena Godden talks to the Guardian about her debut novel Mrs Death Misses Death, missing performing and why Brits struggle to speak about her novel’s all too timely subject.

Salena speaks to Nihal Arthanayake about Mrs Death Misses Death

‘Told in sparse, affecting prose interspersed with poetry, Godden produces a thought-provoking novel that travels across time and place to question the value of life, the experiences of womanhood, and grief in all its forms.’

‘As the early drafts of the book developed I started collecting deaths, near deaths and unmourned deaths, invisible deaths and celebrity death and writing about them. I also started testing the work out at my poetry gigs. I’d slip an excerpt of the book into my poetry shows to see how Mrs Death landed with my poetry friends and with spoken word and book festival audiences. I began to notice different responses in different cities and different counties … I’m fascinated by this and hope to examine it further: I wonder if here in the UK we exhibit grief and talk about death and mourn a little differently county by county? Do we mourn differently geographically?’

Salena Godden is featured on the Waterstones blog about writing her debut novel, Mrs Death Misses Death, and how we respond to death across the country.