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‘The most revelatory and entertaining Hollywood book since Easy Riders, Raging Bulls.’ Daily Telegraph
With behind-the-scenes gossip creating as much drama as the movies themselves, Hollywood in 1967 showcased the future of film in more ways than one. From the anti-heroes of Bonnie and Clyde and the illicit sex of The Graduate to the race relations of In The Heat of the Night, suddenly no subject was taboo. This was a time of turbulence as hip young filmmakers embodying the restlessness and rebellion of a changing America wrought radical changes to the traditions of cinema.
Scenes from a Revolution is an exceptional analysis of the films shortlisted for the Best Picture Academy Award of 1967 as well as an illuminating window into the popular culture of the time.
“Contains enough tantrums, firings and exposed star insecurities to thrill the most jaded Hollywood-watcher … a terrifically enjoyable read.”
Christopher Fowler
independent On Sunday
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“Harris’s book is racy, wise and deeply funny…All human life is here and most of Hollywood too.”
Nigel Andrews
financial Times
“Absolutely wonderful. An extraordinary book that combines social and pop history in an unputdownable volume.”
Richard E. Grant
“Mark Harris understands that film making depends less on creative talent than on social connections, bullshit, and work done in restaurants. As an exercise in social gossip (and incest), Scenes from a Revolution is hard to beat.”
Chris Petit
guardian
“Harris’s book initially overlaps with Easy Riders, Raging Bulls, Peter Biskind’s roaring study of 1970s US cinema. But in fact it stands shoulder to shoulder with it, like a better organized 1960s prequel.”
Larushka Ivan-zadeh
metro
Mark Harris
Mark Harris graduated from Yale University in 1985 with a degree in English. In 1989, he joined the staff of Entertainment Weekly, a magazine published by Time Inc. covering movies, television, music, video and books. Mark worked on the staff of the magazine, first as a writer and eventually as the editor overseeing all movie coverage, from its launch in early 1990 until 2006. He now writes a column for the magazine called The Final Cut. He lives in New York City with his partner, the playwright Tony Kushner.