In a few words
A critically-acclaimed examination of Bob Dylan’s lyrics as poetry, through the prism of the 7 Deadly Sins
In a few words
Christopher Ricks boldly and successfully judges Dylan as a poet not a lyricist and in his tour-de-force makes illuminating comparisons with canonical writers such as Eliot, Hardy, Hopkins and Larkins.
Ricks's writing on Dylan is the best there is
Alex Ross
New YorkerThe rewards are just as one would expect: a bracing attention to artfulness, a wonderful sensitivity to nuance, and a particularly brilliant sympathy with the purpose and effect of Dylan's rhymes
Andrew Motion
GuardianA great case has been made by a great critic (Christopher Ricks) that a great lyricist - Bob Dylan - is, in fact, a poet
Ricks's writing on Dylan is the best there is
Alex Ross
New YorkerMore about
the book
‘I consider myself a poet first and a musician second’
‘It ain’t the melodies that’re important man, it’s the words’
There is no shortage of books about Bob Dylan. This one, however, is unique in its approach and the virtuosity of its execution.
Ricks examines Dylan’s songs through the biblical concepts of the seven deadly Sins, the four cardinal Virtues and the three Heavenly Graces. He does so with what one critic has described as ‘an ultimately irresistible combination of laser-like intelligence with a fan’s exuberant idolatry’.
More about
the book
‘I consider myself a poet first and a musician second’
‘It ain’t the melodies that’re important man, it’s the words’
Two quotes from Dylan himself that underline the importance of this book. Dylanology thrives. There is no shortage of books about him and many of them will be dusted off for his 70th birthday. This one, however, stands on its own both for its unusual approach and for the virtuosity of its execution.
Ricks’s scheme, aptly, is to examine Dylan’s songs through the biblical concepts of the seven deadly Sins, the four Virtues, and the three Heavenly Graces. He carries it off with panache. Ricks may be the most eminent literary critic of his generation but nobody should feel his book is one of earnest, unapproachable exegesis, on the contrary it has a flamboyance, almost effervescence about it that is captivating.
Ricks boldly and successfully judges Dylan as a poet not a lyricist and in his tour-de-force makes endless illuminating comparisons with canonical writers such as Eliot, Hardy, Hopkins and Larkins.
Everything Ricks has to say about Dylan is original. He is a critic who seems to be talking to you from within the work. He can turn the smallest niche in a poem into a vast cathedral of resonance and implication.
Bryan Appleyard
Sunday TimesA great case has been made by a great critic (Christopher Ricks) that a great lyricist - Bob Dylan - is, in fact, a poet
Bob Dylan is fast becoming rock's equivalent of James Joyce
Sean O'hagan
ObserverCompelling, convincing and challenging work of literary scholarship.
Alan Taylor
Sunday HeraldA bracing attention to artfulness, a wonderful sensitivity to nuance, and a particularly brilliant sympathy with the purpose and effect of Dylan's rhymes
Andrew Motion
GuardianBob Dylan is fast becoming rock's equivalent of James Joyce
Sean O'hagan
Observer