Push the Wall My Life, Writing, Drawing and the Art of Storytelling
- 16 Jul 2026
- 9781837262144
- £26
- 224 pp
- 159×240mm
- 16 Jul 2026
- 9781837262168
- £19.99
- 224 pp
- 16 Jul 2026
- 9781837262151
- £30.99
- 7 hrs 17 min
In a few words
A masterclass in the art of storytelling from the creator of Batman: The Dark Knight Returns and Sin City, Frank Miller
In a few words
A masterclass in the art of storytelling from the creator of Batman: The Dark Knight Returns and Sin City, Frank Miller
In a few words
A masterclass in the art of storytelling from the creator of Batman: The Dark Knight Returns and Sin City, Frank Miller
It’s hard to overstate Frank Miller’s cultural impact over the past four decades. It was Miller, the artist and writer behind The Dark Knight Returns, 300 and Sin City, who redefined comics from kids’ stuff into something darker and more adult – noirish, dystopian and morally ambiguous. Without Miller, Tim Burton and Christopher Nolan’s Batman films wouldn’t exist; without Miller, the whole movie superhero phenomenon might never have happened at all
Chris Harvey
Telegraph[An] exuberant memoir. Gorgeously illustrated with panels from Miller’s work and written in elegantly two-fisted prose, this is a wildly entertaining account that his fans will savour
[An] exuberant memoir. Gorgeously illustrated with panels from Miller’s work and written in elegantly two-fisted prose, this is a wildly entertaining account that his fans will savour
Praise for Frank Miller:
'The Michelangelo of our time'
George Lucas
[An] exuberant memoir. Gorgeously illustrated with panels from Miller’s work and written in elegantly two-fisted prose, this is a wildly entertaining account that his fans will savour
Praise for Frank Miller:
'The Michelangelo of our time'
George Lucas
More about
the book
YOU KNOW BATMAN.
BUT DO YOU KNOW FRANK MILLER?
In Push the Wall, Frank Miller chronicles the creation of his most iconic works such as Sin City, 300, Ronin, Daredevil, Wolverine and notably, Batman: The Dark Knight Returns, which, alongside Batman: Year One served as the foundation for all Batman film and animated adaptations for the past forty years.
Miller reveals how he got his first breaks, how he poured his own life into his darkly realistic characters, how he fought against comic book censorship of the early 1980s, and how he introduced manga-style storytelling to US readers decade before popular anime and manga began tiptoeing into pop culture. Miller transformed the way comics are told and this is how he did it.
Push the Wall is a masterclass in the art of storytelling and an intimate look inside the mind and life of a creative genius. With over a dozen illustrations, chosen from seminal moments from Miller’s art, and organised by the sixteen lessons that meant most to Miller, this reveals the man behind some of the most exciting stories of our age.
More about
the book
YOU KNOW BATMAN.
BUT DO YOU KNOW FRANK MILLER?
In Push the Wall, Frank Miller chronicles the creation of his most iconic works such as Sin City, 300, Ronin, Daredevil, Wolverine and notably, Batman: The Dark Knight Returns, which, alongside Batman: Year One served as the foundation for all Batman film and animated adaptations for the past forty years.
Miller reveals how he got his first breaks, how he poured his own life into his darkly realistic characters, how he fought against comic book censorship of the early 1980s, and how he introduced manga-style storytelling to US readers decade before popular anime and manga began tiptoeing into pop culture. Miller transformed the way comics are told and this is how he did it.
Push the Wall is a masterclass in the art of storytelling and an intimate look inside the mind and life of a creative genius. With over a dozen illustrations, chosen from seminal moments from Miller’s art, and organised by the sixteen lessons that meant most to Miller, this reveals the man behind some of the most exciting stories of our age.
More about
the book
YOU KNOW BATMAN.
BUT DO YOU KNOW FRANK MILLER?
In Push the Wall, Frank Miller chronicles the creation of his most iconic works such as Sin City, 300, Ronin, Daredevil, Wolverine and notably, Batman: The Dark Knight Returns, which, alongside Batman: Year One served as the foundation for all Batman film and animated adaptations for the past forty years.
Miller reveals how he got his first breaks, how he poured his own life into his darkly realistic characters, how he fought against comic book censorship of the early 1980s, and how he introduced manga-style storytelling to US readers decade before popular anime and manga began tiptoeing into pop culture. Miller transformed the way comics are told and this is how he did it.
Push the Wall is a masterclass in the art of storytelling and an intimate look inside the mind and life of a creative genius. With over a dozen illustrations, chosen from seminal moments from Miller’s art, and organised by the sixteen lessons that meant most to Miller, this reveals the man behind some of the most exciting stories of our age.
Bursting with eloquent language and rich imagery, Miller commands the attention of the reader . . . Push The Wall is a stimulating read from cover to cover
Praise for Frank Miller:
'The Michelangelo of our time'
George Lucas
Probably the finest piece of comic art ever published
Stephen King On Batman: The Dark Knight Returns
Frank Miller doing his Daredevil magic . . . his weird, scary New York . . . made me want to write
Colson Whitehead
Praise for Frank Miller:
Probably the finest piece of comic art ever published
Stephen King On Batman: The Dark Knight Returns
Frank Miller doing his Daredevil magic . . . his weird, scary New York . . . made me want to write
Colson Whitehead
[Miller] changed the course of comics
His brutal yet elegant noir renderings, pulpy yet eloquent scripting, and thoroughly uncompromising attitude make him one of the most distinctive voices in comics
Praise for Frank Miller:
Probably the finest piece of comic art ever published
Stephen King On Batman: The Dark Knight Returns
Frank Miller doing his Daredevil magic . . . his weird, scary New York . . . made me want to write
Colson Whitehead
[Miller] changed the course of comics
His brutal yet elegant noir renderings, pulpy yet eloquent scripting, and thoroughly uncompromising attitude make him one of the most distinctive voices in comics