Major Labels A History of Popular Music in Seven Genres
- 1 Sep 2022
- 9781838855949
- £14.99
- 496 pp
- 129×198mm
- 7 Oct 2021
- 9781838855956
- £11.99
- 496 pp
- 7 Oct 2021
- 9781838856243
- £34.99
- 18 hrs 59 min
In a few words
A comprehensive and celebratory journey through the history of popular music, from the former New York Times music critic
In a few words
A comprehensive and celebratory journey through the history of popular music, from the former New York Times music critic
In a few words
A rigorous and celebratory journey through the history of pop music, from the former New York Times music critic
The most elegant history of popular music ever written . . . Sanneh not only delivers a coolly dazzling overview of the battlefields of genre but also revels open-heartedly in the music itself, his taste unbound by dogma or prejudice. The operative word is keen: zealous in spirit, exact in execution, ferociously acute from the first sentence to the last
Alex Ross
author of The Rest is NoiseKelefa Sanneh has achieved the impossible. Major Labels somehow manages to unspool everything you need to know about 50 years of music, but more impressively, he makes you care about all of it. Even the stuff you don’t care about. It’s funny, it’s personal, and as a piece of writing the book borders on poetry
David Letterman
The most elegant history of popular music ever written . . . Sanneh not only delivers a coolly dazzling overview of the battlefields of genre but also revels open-heartedly in the music itself, his taste unbound by dogma or prejudice. The operative word is keen: zealous in spirit, exact in execution, ferociously acute from the first sentence to the last
Alex Ross
author of The Rest is NoiseKelefa Sanneh has achieved the impossible. Major Labels somehow manages to unspool everything you need to know about 50 years of music, but more impressively, he makes you care about all of it. Even the stuff you don’t care about. It’s funny, it’s personal, and as a piece of writing the book borders on poetry
David Letterman
The most elegant history of popular music ever written . . . Sanneh not only delivers a coolly dazzling overview of the battlefields of genre but also revels open-heartedly in the music itself, his taste unbound by dogma or prejudice. The operative word is keen: zealous in spirit, exact in execution, ferociously acute from the first sentence to the last
Alex Ross
author of The Rest is NoiseKelefa Sanneh has achieved the impossible. Major Labels somehow manages to unspool everything you need to know about 50 years of music, but more impressively, he makes you care about all of it. Even the stuff you don’t care about. It’s funny, it’s personal, and as a piece of writing the book borders on poetry
David Letterman
More about
the book
From his allegiance to punk rock in his adolescence to becoming an essential voice on music and culture, Kelefa Sanneh makes a deep study of how popular music unites and divides us. Distilling a career’s worth of knowledge, he explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns.
This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated.
More about
the book
From his allegiance to punk rock in his adolescence to becoming an essential voice on music and culture, Kelefa Sanneh makes a deep study of how popular music unites and divides us. Distilling a career’s worth of knowledge, he explores the tribes music forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns.
This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated.
More about
the book
From his own adolescence, when his allegiance was to punk rock, to his work as one of the essential voices of our time on music and culture at the New York Times and the New Yorker, Kelefa Sanneh has made a deep study of how our popular music unites and divides us, the tribes it forms, and how its genres, shape-shifting across the years, give us a way to track larger forces and concerns.
Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes the best popular music isn’t transcendent: it expresses our grudges as well as our hopes, and it is motivated by greed as well as inspiration.
Throughout, race is a powerful touchstone: just as there’s always been a ‘Black’ audience and a ‘white’ audience, with more or less overlap depending on the moment, there is Black music and white music (and some very white music), and a whole lot of confusing of the issue, if not to say expropriation.
This is a book to shock and awe the deepest music nerd, and at the same time to work as a heady gateway drug for the uninitiated.
An intellectually rigorous retelling of rock and pop history
The most wide-ranging music book of the year . . . elegantly written
Intriguing, controversial, personal . . . a unique and absorbing read
The book is immensely readable, and full of rich detail
An intellectually rigorous retelling of rock and pop history
The most wide-ranging music book of the year . . . elegantly written
Intriguing, controversial, personal . . . a unique and absorbing read
The book is immensely readable, and full of rich detail
An intellectually rigorous retelling of rock and pop history
The most wide-ranging music book of the year . . . elegantly written
Intriguing, controversial, personal . . . a unique and absorbing read
The book is immensely readable, and full of rich detail